“When I wasn’t racked with insecurity, I was wildly arrogant. All three of us were. We had the confidence of white men, which was swiftly cut down after graduation, upon our separation, when each of us had to prove ourselves again and again, because we were, at every stage of our careers, underestimated. But I wouldn’t have had it any other way. That struggle kept me faithful to the creative imagination cultivated by our friendship, which was an imagination chiseled by rigor and depth to reflect the integrity of our discontented consciousness. No one else cared. No one else took us seriously. We were the only ones who demanded we be artists first.”
— Cathy Park Hong, Minor Feelings